Prabhas Takes a Ponderous Pay Cut
So, in an astonishing turn of fiscal events, Prabhas, the actor who usually charges a princely sum of Rs 150 crore per film (which is essentially the GDP of a small country), has decided to play nice for ‘The Raja Saab.’ He’s reportedly slashed his fee by a whopping 33%, bringing it down to a mere Rs 100 crore. A small price to pay for saving the film’s grandiosity. Who says money can’t buy happiness?
Budgeting for the Big Picture
According to whispers from the Bollywood grapevine (aka News18), the actor is channeling the spirit of generosity, opting to funnel this newfound cash back into the film. We applaud this selfless act of cinematic charity, which promises larger-than-life sets and visual effects that could impress even the most steadfast of skeptics. And let’s face it, who doesn’t want explosions and elaborate sets that scream “I spent too much on this?”
Remuneration: The Cast’s Golden Parachute
Now, let’s talk about the rest of the cast, who are no stranger to the lavish checks that rain down upon them. Director Maruthi pocketed Rs. 18 crore; a figure large enough to pay for several home theaters. Meanwhile, Malavika Mohanan, who perhaps thought two crores was a humble offering, still ended up with over Rs. 2 crore. It’s like a lottery for the performing arts!
The Dark Side of The Financial Spectrum
On the antagonistic front, Sanjay Dutt, that cinematic titan, is rumored to have collected Rs 5 crore for playing the baddie. Boman Irani, ever the reliable presence, managed to snag a cool Rs 1 crore. Even veteran comedian Brahmanandam gets a slice of the pie at Rs. 80 lakh. Apparently, laughter comes with a premium, just in case you were wondering.
The Missing Scenes: A Disturbingly Common Trend
‘The Raja Saab’ has already stirred the pot following audience outcry over missing scenes featuring Prabhas’ old avatar, which could have been a major plot twist—or perhaps a visual gag? The filmmakers, undoubtedly in a tailspin, have now decided to patch these little gaps in the narrative, restoring Prabhas’ nostalgic look and that rooftop action scene that you just can’t live without. Because what says “cinematic genius” more than last-minute adjustments?
Conclusion: The Unpredictable Landscape of Cinema
Thus, in the rollercoaster that is the Indian film industry, we’re left to wonder: how far will our high-flying stars go to keep the show afloat? As Prabhas takes a pay cut, the rest of the drama unfolds in grand fashion, reminding us all that cinema may be a melting pot of creativity, but it’s also a cash flow conundrum. Here’s to more explosions, more drama, and hopefully, fewer missing scenes!
