Contrary to Popular Belief: Horror Filmmakers Are Not the Grim Reapers of Society
It turns out that horror filmmakers, despite what their chilling movies might imply, are quite well-adjusted individuals. Taking the darkest concepts and morphing them into digestible fiction isn’t just therapeutic; it’s practically a family bonding exercise. This delightful realization is exemplified by “Family Movie,” a light-hearted horror-comedy that premiered at the SXSW Film Festival, offering the Bacon-Sedgwick clan a chance to showcase their shared eccentricities.
A Family Affair in Artistic Eccentricity
Directed by duo Kevin Bacon and Kyra Sedgwick under their “Kyra and Kev” banner, the film features the nuclear family peddling their peculiar blend of horror. The Smiths may be a tad unconventional (they belong to the arts, after all), but it’s evident their time spent together is genuine. This familial warmth seeps into the story, which centers on a less-than-stellar clan of aspiring artists making horror flicks on their Texas ranch—clearly a setting that screams “Practicality!”
The Zero-Budget Auteur: A Parody in Motion
Meet Jack Smith (Bacon), a zero-budget auteur whose filmmaking style could be best described as a love letter to the VHS era—think “Sledgehammer” meets “Killer Workout.” His crowning achievement? A spot on the opening night of a tiny regional film festival—fame has never been so elusive. To spice things up, he’s battling an unsavory critic who seems to relish trashing his movies; talk about a twisted version of artistic validation.
Elle: The Unsung Heroine of Horror
Then there’s Elle (Sedgwick), a former starlet who has swapped the limelight for diaper duty and husband wrangling. Not only does she tirelessly tend to their kids, Ulla (Sosie Bacon) and Trent (Travis Bacon), but she also takes on a dual role: starring in and defending her husband’s horror films. Now, that’s commitment! It’s like supporting your spouse’s somewhat questionable career choice while simultaneously auditioning for a soap opera in the bargain.
Blood and Laughter: A Recipe for Success?
As “Family Movie” kicks off, the Smiths have gathered for their grand finale project, “Blood Moon.” The plot? Well, that’s just a detail overshadowed by the chaotic charm surrounding endless delays, barking dogs, and, oh yes, a dead body in the barn. Naturally, one cannot film horror without an oddity like that—talk about character development!
Comedy, Chaos, and Cliché: An Amusing Ménage à Trois
Initially, Elle appears to be losing it under the stress of filmmaking, but as the plot unfolds, she morphs into a character worthy of a family comedy. Sedgwick delivers a cheerfully deranged performance that cements her as the enchanting centerpiece of this chaotic narrative. Bacon shines too, portraying a frazzled director battling with his own sanity, while Sosie and Travis refine their on-screen presence—purposefully unbothered by the burden of an acting legacy.
Mixing Realism with Horrific Humor
The film, much like a macabre family therapy session, weaves genuine familial squabbles with absurd incidents that are questionable yet humorous. Admittedly, “Family Movie” doesn’t aspire to be more than a light-hearted diversion—but why should it? Like an overcooked Thanksgiving turkey, it satisfies on its own terms. The chemistry is undeniably relatable—the actors are family, after all—and this delightful entanglement carries the film to its playful conclusion.
A Final Thought: Laugh Your Way to Horror
Shot with surprisingly modest means on a ranch in Red Rock, Texas, “Family Movie” embodies a peculiar moment: as the family brainstorms how to dispose of the rotting guest on their property, suggestions emerge. Ulla chirps an idea about using the neighbor’s wood chipper, leading to a sweet, albeit insane, exchange of approval from her father. If that tickles your funny bone, gather the adult kids, grab some popcorn, and brace yourselves for a night filled with horror-themed chuckles.
“Family Movie” is currently available for acquisition at SXSW, with Gersh handling sales. Who wouldn’t kill for family bonding over deathly hijinks?
