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      Raj B Shetty’s Thuminad serves as a brilliant lesson for Bollywood and filmmakers fixated on big budgets.

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    You are at:Home»Budget Blunders»Raj B Shetty’s Thuminad serves as a brilliant lesson for Bollywood and filmmakers fixated on big budgets.
    Budget Blunders

    Raj B Shetty’s Thuminad serves as a brilliant lesson for Bollywood and filmmakers fixated on big budgets.

    administratorBy administratorAugust 8, 2025004 Mins Read
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    In JP Thuminad’s satirical comedy-drama, *Su From So*, we witness the idyllic chaos of village life, where superstition reigns supreme. The film kicks off with the village headman, Ravi (Shaneel Gautham)—or as he is affectionately known, Ravi Anna—reciting a horror story during a boozy gathering with his loyal subjects. Picture it: a house that just held a funeral, the ambiance ripe for a good scare, and one hapless listener chirps in with the soul-crushing reminder, “If you get scared, you’re done.” Spoiler alert: when a noise breaks the eerie silence, panic ensues, only to reveal that they were, in fact, scared of nothing at all. Foreshadowing? Oh, my dear reader, you’ve just entered a realm where superstition fuels hilarity and every unexplained incident only reinforces the villagers’ beliefs, turning chaos into comedy.

    *Su From So* doubles as a modern-day fable, an absurd tale we might spin during sleepovers, handmade with that delightful mixture of truth and ludicrous fiction meant to evoke visceral reactions. Even though everyone knows it’s just a story, they cling to the suspense, eager to feel a little chill—even if only metaphorically. After all, who doesn’t love a good ghost story sprinkled with existential dread?

    Set in a far-flung village where your neighbors probably know the state of your arteries better than you do, community life becomes a paradox of camaraderie and censure. Be it joy or sorrow, your business is everyone’s affair—a charming blessing or a social nightmare. Enter our protagonist, Ravi Anna, the local strongman and a jack-of-all-trades. He can lift heavy things, conduct last rites, and if you need a ghost story, he’s your guy. But just as he thinks life is mundane—cue the unexpected event that’s about to crumble this peaceful existence. Local youth Ashoka (Thuminad) decides to fake possession to escape consequences of his previous mischief. Because lying, as we know, always goes as planned, right?

    As rumors swirl and the villagers deem Ashoka—now “possessed” by the specter, Sulochana From Someshwara, it devolves into mass hysteria. His mother claims, “She’s always watching something on his phone!” I mean, isn’t that the real horror? Ashoka’s mundane actions, once dismissed, now scrutinized, as his privacy goes out the window faster than an old bus in a village race.

    Ravi, taking a cue from the 21st century’s must-have prestige, seeks the help of a spiritual guru, Karunakara Guru (Raj B Shetty). Who could resist a visiting guru? In no time, the situation spirals from comical to ridiculous as the guru prescribes a series of absurdly gruesome rituals. Ashoka insists he’s done with the ghost life, but the villagers insist he’s the carrier of all their ills. Isn’t it delightful how villagers can convert minor inconveniences into potential supernatural catastrophes?

    Amid the chaos, we meet Bhanu (Sandhya Arakere), the woman who unwittingly gets entangled in the ghostly drama. After losing her mother, she finds a comforting thought in Sulochana’s “presence,” further complicating matters for everyone involved. The film meanders through this whirlwind of ridiculousness, showcasing how misconceptions spiral until they become widely accepted truths—much like how a straight-up lie becomes the talk of the town.

    Despite *Su From So* being as predictable as the random guy at a wedding asking for the DJ to play “the hits,” it still manages to keep audiences chuckling and eagerly guessing how everything might conclude. The predictability creates a cozy environment, filled with humor, farcical situations, and relatable moments. Think of watching your own life unfold, but with slightly more drama and significantly fewer consequences.

    One of the film’s wins is its sparkling performances. Every character—be it Shaneel, Thuminad, or even background artsy villagers—breathes life into this world so seamlessly that you forget they aren’t just actors; they might as well be your quirky relatives. Raj B Shetty manages to deliver his lines with such flair that you’ll find yourself laughing while wondering if he’s trying to overshadow anyone. But let’s be honest—who cares when charm flows this freely?

    In a world where blockbuster budgets often eclipse the charm of small films, *Su From So* serves as a gentle reminder that quality over quantity reigns supreme. Made on a budget of Rs. 5.5 crore, it proves that money isn’t everything, and sometimes, less can be more. The cinematography, music, and overall production move in harmony like a well-rehearsed village troupe, delivering an experience that stays with you long after the credits roll.

    So, gather your friends for a night of laughter and ghost stories, and explore the peculiarities of *Su From So*. You never know, the absurdity might just evoke some self-reflection—though for the love of all that is holy, let’s keep the “hauntings” purely fictional.

    Big Bollywood brilliant Budgets filmmakers fixated lesson Raj Serves Shettys Thuminad
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